Club Diamond is collaboration between Saori Tsukada, Japanese theater artist and Nikki Appino, American theatre and filmmaker. It began in 2013 when they decided to build a theatre piece based on their shared love for the Western and Japanese tradition of silent film. A simple story of a young woman coming to the big city to find fame and fortune is played out through different characters on stage (all played by Saori) using an original silent film and the traditional Japanese performance techniques of Benshi, (a Japanese orator for silent film) and Kamishibia (paper-play).
Club Diamond had its world premiere at the Under the Radar Festival at the Public Theater this past January. It was developed in part at the Sundance TheaterMakers Lab and at the Sundance Lab at MassMoca.
Photo credits: Ethan Lewis, Leyna Marika Papach
Created by Philip Glass and Nikki Appino with Music by Philip Glass and Tenzin Chogyal.
In 1937 after years of forcibly stopping foreigners at the border, the Tibetan government welcomes in a young American from Arizona and initiates him into their secret world.
He’s greeted as a reincarnation of their most beloved saint.
He returns to America to great acclaim and carrying hundreds of photographs and sacred texts. He travels the country as a celebrity speaker and spiritual teacher.
In 1947 he set out again for Tibet…
…and never returns.
Sacred Charlatan is in its first stage of development for the stage .
Before he even set foot on his home soil in fall of 1937, Theo Bernard declared to a reporter from the London Daily Mail, “I am the first White Lama – the first Westerner ever to live as a priest in a Tibetan Monastery, the first man from the outside world to be initiated into the great Buddhist’s mysteries”.
By March of the following year he arranged an alumnus lecture at the University of Arizona. When the curtains opened before a packed house, all in attendance saw Theos Bernard, religious scholar, explorer, mystic, in full Tibetan garb, seated in a chair, next to a movie projector. “Come with me, “ he invited the audience, “in a flight on the clipper ship of imagination from San Francisco across the vast pacific…into the heart of Asia – the land of the Lama – Tibet!”
As the evening progressed, Theos provided even more dramatic details of his “recognition” by the Tibetans as the 8th century master, Padmasambhava – and of the prophesy of the coming of a white man who would herald and bring about the spread of Buddhism to the western world. Whatever actually transpired, Tibet opened the doors of their kingdom for Theos and he was sent home with fifty mule loads of priceless, essential tibetan scriptures.
The evening was a success, and he received endorsements sufficient enough to secure a contract for a lecture tour from a public relations firm in New York. Appearing four times on the cover of the largest-circulation magazine of the day, befriending the rich and famous, this charismatic and controversial “White Lama” introduced yoga and a spiritual path to American culture.
Bernard’s accounts were picked up by the British tabloid press at the time, and, though their sensationalistic reports concerning his identity as “a white Lama” garnered some positive public feedback, it also earned him the scorn and private dismissal as a fraud and imposter.
In 1947, Bernard launched a second expedition into the Himalayas and was never seen again. What actually happened to Theos can only be pieced together from the fragments of his life that he left in his wake when he disappeared.
The Sacred Charlatan
-The Life and Death of Theos Bernard
FULL SITE/BUY DVD www.americanrimpoche.com
To the western imagination, Tibet evokes the exotic, the spiritual, and since its invasion by China, the political; a fabled land, sheltered from modernity and threatened by extinction. Endowed with all that the West has lost, Americans are enchanted with Tibet and its particular form of Buddhism. In American, the Dalai Lama has achieved rock-star status, and many turn to him for answers to today’s pressing conflicts and concerns. Read more ›
Philip Glass is creating a center for art, science and conservation. It’s a long term project that requires a lot of resources. Here’s a video created by Appino Productions to help him with his fantastic and visionary project.
In the west there is a powerful draw to stories of selling one’s soul to the Devil. Hell’s a Fable is a cautionary tale, a jest book, and a bit of a theological tract. Inspired by Western Mysticism, Christopher Marlowe’s Faust, Buddhist scholar Stephen Bachelor’s Living With the Devil and other writings on the devil in modern life, Hell’s a Fable is a small chamber with four actor/singers and live musicians.
The development process for Hell’s a Fable started with a trip to the New Mexico desert with Nikki Appino and filmmaker Cathy Lee Crane. There they collected images on film and used the Art Lab at the University of New Mexico to begin a conversation about design. The development continued with a month-long writing residency at the Philadelphia Art Hotel.
Photos: Carmen Silva, Cathy Lee Crane and Nikki Appino
An environmental performance piece based on Alain Robbe-Grillet’s novel.
“In Appino and Corson’s Djinn you’ll discover why Aristotle included Spectacle as one of the six essentials of the theatrical experience. With a shoestring budget and a superabundant imagination they transform a structure built for utilitarian ends into a gigantic cabinet of wonders, resonating with the poetic impact of sheer space, the dialectic of light and shadow.” – Roger Downey, Seattle Weekly Read more ›
Invisible Ink: Destiny and the Dance of Mata Hari
A dance/theater performance based on the life of Mata Hari. Written and directed by Nikki Appino with original choreography by Wade Madsen and an original score by Wayne Horvitz.
Invisible Ink is a dance/theater performance based on the life of Mata Hari (1876-1917). The work is created for two actors, one singer, and a three-piece orchestra. Marguerite Zelle, a.k.a. Mata Hari, lived with her husband in the Dutch East Indies where she learned the native sacred dances of Java and Sumatra. She incorporated them into her “performances” (stripteases) when she changed her name to “Mata Hari” and hit the cabaret circuit of pre-WW1 Paris. This combination of the sacred and the profane created a sensation. Read more ›
A staged concert inspired by the life and writings of environmentalist Rachel Carson.
Composed and written by Robin Holcomb, Directed by Nikki Appino, Sunset toured the United States in the fall of 2004. The piece featured musicians Eyvind Kang, Guy Klusevic, Doug Wieselman, and Wayne Horvitz.
Here I Come Crying Again
A musical retelling of the Orpheus and Eurydice myth set in a women’s roller derby circa 1936. Co-written by Nikki Appino, David Russell and Kevin Joyce, music and lyrics by David Russell and Kevin Joyce.
The skirts are on skates in this original musical retelling of the Orpheus and Eurydice myth. Relive their tragic love story set in a roller derby marathon on the eve of World War II. This musical extravaganza, complete with ten girl skaters and a three-piece swing band, was performed on a track circling the audience at the Sand Point Naval Base. Read more ›
Written and directed by Nikki Appino, original score by Robin Holcomb.
Before the Comet Comes is a multimedia theater piece that explores personal and social apocalypse on the eve of the new millennium. This work premiered at the Empty Space Theatre in Seattle Washington.
Before the Comet Comes, is a theatre piece exploring personal and social apocalypse. It’s December 31st 1999, the eve of the 2nd Great Millennium, and four characters are stumbling about wondering if Y2K will destroy their computers, if the Second Coming is a hand, and if it really is the end of the world. In this narrative – told through text, music, and late-night video, we witness their hilarious and harrowing attempts to survive. Before the Comet Comes is a little tour through death, peace, and the ultimate meaning of life. Read more ›